I hope all of you had a wonderful holiday season. My musical faves for 2008...
New discoveries: Bedouin Soundclash (Canadian Reggae), Bon Iver (Somber & Soulful Folk), Cheb I. Sabbah (Traditional Central Asian w/bass & drums), Colour Revolt (Straight on Rock n Roll), Fleet Foxes (Sweet Harmonic Folk), Giant Bear (Country Rock), Grand Archives (Sweet Harmonic Folk), Hoots and Hellmouth (Country Rock), Horse Feathers (Sweet Harmonic Folk, my favorite CD of the year), The Moondoggies (We don't need The Band to reunite as long as these guys are playing), Vampire Weekend (Hard to nail the genre, but it's fun and I like it), West Indian Girl (Psychedelic Pop).
Older bands with great 2008 releases: AC/DC (The best CD they have ever done), The Black Crowes (Solid effort from America's answer to The Rolling Stones), Blue Mountain (Country Rock), Merle Haggard (Merle unplugged), Sun Kil Moon (Mark Kozelek makes great wooden music) , The Waifs (The sisters from Down Under release their best disc yet).
I should mention the two shows I saw in the latter part of 2008 that were not featured in my blog:
Greg Brown-Illsley Ball Nordstrom Recital Hall, Benaroya Hall, Seattle. 17 Oct 08. I met my wife at a Greg Brown show at the Back Stage many years ago and I've been partial to him ever since. He is he consummate entertainer, musician, songwriter and storyteller. He played a wonderful mix of older and newer material. His rich baritone and acoustic guitar delighted a nearly filled hall. If you like folk from a soulful, bluesy perspective go see Greg the next time he's in town. If you're looking for a Greg Brown CD I would recommend Covenant (Red House Records, 8 Aug 2000)
The English Beat-The Showbox, Seattle. 4 Dec 08.
30 years and counting with their last release in 1982 (I have it on vinyl) they've had a lot of time to perfect their craft. It's no secret that Dave Wakeling and his band enjoy playing music. You can see it in the performance. And they are very good at what they enjoy.
I was fortunate to witness the show from a great vantage point, seated by the small bar (thanks John) and I had several good friends with me. It was a fantastic show from the opening chords of Whine and Grine/Stand Down Margaret to my favorite Beat song, Save It For Later We had to catch a boat so we missed the encore, but was told that they played a new song. Could a new English Beat CD be in the works for 2009? One can only hope.
Happy New Year!
More to follow...
Showing posts with label Horse Feathers. Show all posts
Showing posts with label Horse Feathers. Show all posts
Thursday, January 1, 2009
Wednesday, December 3, 2008
A House Stranger than 50 Years of Brubeck
My apologies to those of you in need of music recommendations from a trusted source. Unfortunately my absence was necessitated by a desire to improve my lot in life through education. With the work-load something had to give and it was the blog.
To make up for it I have three gems that you will no doubt want to purchase as Christmas, Hanukkah, Kwanza or Solstice gifts.
Horse Feathers - House With No Home (Kill Rock Stars, 9 Dec 08)
Out of a stack of new music that I received over the past few days this is the disc that has been played over and over. Sometimes somber, sometimes upbeat, always Folk and always easy to listen to, I like it. Justin Ringle’s compositions are good and this Portland duo presents them well featuring richly layered harmonies, reminiscent of CSN, anchored mostly by a finger-picked guitar, complimented by the occasional mandolin, banjo or whatever else former Norfolk & Western member Peter Broderick wants to add (apparently the man can play anything.) The melodies are very pleasant and the spare arrangements actually contribute to the sound in a Zen-like way. Think of Sam Bush’s Iron & Wine or a slightly less suicidal Bon Iver. My favorite track; Working Poor.
The Moondoggies - Don’t Be a Stranger (Hardly Art, 19 Aug 08)
When attempting to describe the Moondoggies I’ve read references to The Grateful Dead, Moby Grape, The Byrds and some of the other great Rock/Country/Folk groups of the 60s & 70s. No doubt the Moondoggies are worthy of the comparisons, but the only group I think of when listening to Seattle’s Moondoggies is The Band. Like The Band, they have that unrehearsed, casual sound that is very difficult to produce and yet they do it so well. The quartet has been playing together since high school and they have a tight crisp sound. Good songwriting, great harmonies, accomplished musicianship all captured in their fine arrangements. My Favorite track; Ain’t No Lord.
50 Years of Dave Brubeck: Live at the Monterey Jazz Festival 1958-2007 (Monterey Jazz Fest, 5 Aug 08)
So some of the earlier recordings may be limited by the available technology, it’s still a great disc. The only negative comment I can make is out of 50 years of Brubeck performances at the Monterey Jazz Festival they could find only 10 tracks to share? This should have been a box set.
Other artists worth mentioning:
Cheb I. Sabbah – Traditional Central Asian music lots of bass, percussion & Techno effects.
Orgone – If Aretha Franklin, Sly Stone & James Brown went in thirds on a passel of kids this is what their band would sound like.
Hayes Carll – Country with just enough irreverence to make you overlook the clichés.
To make up for it I have three gems that you will no doubt want to purchase as Christmas, Hanukkah, Kwanza or Solstice gifts.
Horse Feathers - House With No Home (Kill Rock Stars, 9 Dec 08)
Out of a stack of new music that I received over the past few days this is the disc that has been played over and over. Sometimes somber, sometimes upbeat, always Folk and always easy to listen to, I like it. Justin Ringle’s compositions are good and this Portland duo presents them well featuring richly layered harmonies, reminiscent of CSN, anchored mostly by a finger-picked guitar, complimented by the occasional mandolin, banjo or whatever else former Norfolk & Western member Peter Broderick wants to add (apparently the man can play anything.) The melodies are very pleasant and the spare arrangements actually contribute to the sound in a Zen-like way. Think of Sam Bush’s Iron & Wine or a slightly less suicidal Bon Iver. My favorite track; Working Poor.
The Moondoggies - Don’t Be a Stranger (Hardly Art, 19 Aug 08)
When attempting to describe the Moondoggies I’ve read references to The Grateful Dead, Moby Grape, The Byrds and some of the other great Rock/Country/Folk groups of the 60s & 70s. No doubt the Moondoggies are worthy of the comparisons, but the only group I think of when listening to Seattle’s Moondoggies is The Band. Like The Band, they have that unrehearsed, casual sound that is very difficult to produce and yet they do it so well. The quartet has been playing together since high school and they have a tight crisp sound. Good songwriting, great harmonies, accomplished musicianship all captured in their fine arrangements. My Favorite track; Ain’t No Lord.
50 Years of Dave Brubeck: Live at the Monterey Jazz Festival 1958-2007 (Monterey Jazz Fest, 5 Aug 08)
So some of the earlier recordings may be limited by the available technology, it’s still a great disc. The only negative comment I can make is out of 50 years of Brubeck performances at the Monterey Jazz Festival they could find only 10 tracks to share? This should have been a box set.
Other artists worth mentioning:
Cheb I. Sabbah – Traditional Central Asian music lots of bass, percussion & Techno effects.
Orgone – If Aretha Franklin, Sly Stone & James Brown went in thirds on a passel of kids this is what their band would sound like.
Hayes Carll – Country with just enough irreverence to make you overlook the clichés.
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