Bumbershoot 2007 Day Three + Wrap Up

Monday: I entered at the Broad Street entrance solo. As on the previous two days, I proceeded directly to Horn of Africa for chicken, lentils and that wonderful, spongy, fermented bread. I walked back across the Center and found a great spot next the red tube sculpture for The Blakes (Seattle Weekly pick) at the Sound Transit Stage. I finished my food while they completed the sound check. Wow!!!! The Blakes were great!!! I loved this band. High energy, Rock N’ Roll with catchy melodies, infectious beats all delivered with a presence and confidence to match the most polished veterans. Their EP, Streets is available now via their Myspace site.
After The Blakes I decided to go free style and dabble. I had no one that I really had to see so I and followed the recommendations of The Weekly and The Stranger. For the next hour I split my time and sampled performances at two different stages.
I ended up at the Esurance Stage enjoying Kultur Shock (Weekly and Stranger pick.) Gino Yevdjevich, the lead singer, describes Kulture Shock as, “Balkan punk rock gypsy metal wedding-meets-riot music from Bulgaria, the US, Japan, and Bosnia. Six members, and no two of us really speak the same language” And I can’t think of a more accurate description. This was a fun performance to watch and not a single person in the crowd was standing still. Go to their Myspace page and sample some of their tracks.
I spent 40 minutes with Kulture Shock and then returned to the Sound Transit Stage to see Viva Voce (Weekly and Stranger pick), a Portland, OR-based, husband and wife duo. Basically Rock N’ Roll with drums & guitar reminiscent of The White Stripes (the drumming was better, but the guitar wasn’t.) They were OK, it’s just that with a guitar/drum duo there’s only so much you can do before you begin to sound repetitious. 30 minutes was enough. If you’d like to hear a few of their tracks you can check out their Myspace page.
I had every intention of staying to see Steve Earle at either the special ticket KEXP performance (enter 3 Sept 07, 5:26 PM on the KEXP website to hear Steve) or the show at 8:30 PM on the Starbucks Stage. I caught a few tunes by his wife, Allison Moorer, at the Starbucks Stage while transiting from venue to venue. Unfortunately I ran out of gas before Steve was scheduled to play. What can I say? I'm no longer 25. I wish I had a better excuse, but I don’t. I walked out the Broad Street Gate down the hill to SAMs Sculpture Park before heading south on Alaska Way.

The wrap up: Bumbershoot was great as usual and once again the best acts were not at the Mainstage. However, it was clear from this year’s line-up that I am not a member of the Festival's target demographic. Fortunately, my diverse taste in music combined with a willingness to venture into unknown territory allowed me to not only see some artists that I was already interested in, but I was able to enjoy some great musical discoveries.
I couldn't sleep nights if I didn’t mention a couple of things to the folks at One Reel, Bumbershoot’s producers. While I appreciate the effort that goes into producing an event like Bumbershoot I’d like to share my perspective as a veteran of nearly two decades worth of Bumbershoot:
1. Thanks for making it easy to get tickets. Basically, any Starbucks has them prior to and during the festival. That’s a great move on your part. Please don’t increase ticket prices any more. $35 per day plus $10 for food not to mention transportation costs, makes the minimum per day investment approximately $50. Some would say that’s cheap for a day of great art & music, but fifty bucks is fifty bucks. It’s expensive enough for a working man, but nearly unreachable for a teen with a part-time job and the teen to twenty-something bracket seemed to be your target demographic.
2. Telling me I can’t bring a water bottle into Memorial Stadium because it can be used as a projectile and then trying to sell me bottled water inside for $3.00 is disingenous, greedy and wrong. Please change that practice before Bumbershoot 2008.
3. The temporary barricades installed to contain concert-goers enroute to the Mainstage literally bisects Seattle Center in an east/west line and nearly stops the flow of north/south foot traffic. Please figure out a better way to get people in and out of Memorial Stadium.
4. Please work with Metro to increase the number of buses leaving Seattle Center, particularly around the time that the Festival closes for the day.